11 Web Comics for Writers: Inspiration and Motivation

Sometimes we have to look outside of our usual medium to find the motivation we need to get the words on the page?or to just feel like someone else "gets it." These web comics for writers perfectly illustrate what it feels like to be a writer, from the moment of inspiration to pitching your work and getting published.

[History] The Wine-Dark Sea: Color and Perception in the Ancient World by Erin Hoffman

Subscribe to Clarkesworld and never miss an issue of our World Fantasy and Hugo Award-Winning Science Fiction and Fantasy Magazine. This page: The Wine-Dark Sea: Color and Perception in the Ancient World by Erin Hoffman

Homer’s descriptions of color in The Iliad and The Odyssey, taken literally, paint an almost psychedelic landscape: in addition to the sea, sheep were also the color of wine; honey was green, as were the fear-filled faces of men; and the sky is often described as bronze.

Our brains are pattern-recognizing engines, built around identifying things that are useful to us and discarding the rest of what we perceive as meaningless noise. … This suggests the possibility that not only did Homer lack a word for what we know as “blue”—he might never have perceived the color itself. To him, the sky really was bronze, and the sea really was the same color as wine. And because he lacked the concept “blue”—therefore its perception—to him it was invisible, nonexistent. … Very simply: if we don’t have a word for it, we tend to forget it, or sometimes not perceive it at all.

From Clarkesworld, a sci-fi magazine!

[Social Anxiety] The Game, Sex, Pickup, Social Skydiving, Self-Preservation, Relationships, Ego, and My Weekend In Hollywood

Do not read this unless you want too much information about me. Far too much information. 4,997 words. No photos. All text. ?As long as there is whiskey in the world we can drink away the hea?

Reality Check #3: You need to meet a lot of people to find the few you get along with.
“leave people better than you found them”
Reality Check #5: Say what you mean and don’t beat around the bush.
“You are absolutely stunning and I needed to meet you. Hi, I’m Karol.”
Reality Check #6: There are no excuses. Everyone everywhere is fair game.

See group of pretty girls sitting down.
Walk over and sit down with them.
Start talking.
Maybe they’ll like you, in which case you stay.
Maybe they won’t, in which case you leave.

Reality Check #7: You won’t have anxiety. You will enter a high mental state, tunnel vision, god mode.
Reality Check #9: Not Approaching Hurts More Than Rejection

[Joy] The Surprising Power of Ordinary Things to Create Extraordinary Happiness Ingrid Fetell Lee

Cherry blossoms and rainbows, bubbles and googly eyes: Why do some things seem to create such universal joy? In this captivating talk, Ingrid Fetell Lee reveals the surprisingly tangible roots of joy and shows how we all can find -- and create -- more of it in the world around us.

An abundance of colourful and round or curved shapes make us feel joyful.

Color, in a very primal way, is a sign of life, a sign of energy. And the same is true of abundance. We evolved in a world where scarcity is dangerous, and abundance meant survival. So, one confetto — which happens to be the singular of confetti, in case you were wondering — isn’t very joyful, but multiply it, and you have a handful of one of the most joyful substances on the planet. … They put people into fMRI machines, and they showed them pictures of angular objects and round ones. And what they found is that the amygdala, a part of the brain associated in part with fear and anxiety, lit up when people looked at angular objects, but not when they looked at the round ones. They speculate that because angles in nature are often associated with objects that might be dangerous to us, that we evolved an unconscious sense of caution around these shapes, whereas curves set us at ease.

FEAR – Elizabeth Gilbert

Cribbed from Al Humphreys’ blog. A lengthy quote from Elizabeth Gilbert’s book ‘Big Magic: Creative Living Beyond Fear’, with bullet point formatting by me.

“Let me list for you some of the many ways in which you might be afraid to live a more creative life:

* You’re afraid you have no talent.
* You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored.
* You’re afraid there’s no market for your creativity, and therefore no point in pursuing it.
* You’re afraid somebody else already did it better.
* You’re afraid everybody else already did it better.
* You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark.
* You’re afraid you won’t be taken seriously.
* You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life.
* You’re afraid your dreams are embarrassing.
* You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money.
* You’re afraid you don’t have the right kind of discipline.
* You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration.
* You’re afraid you don’t have the right kind of training or degree.
* You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.)
* You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist.
* You’re afraid of upsetting your family with what you may reveal.
* You’re afraid of what your peers and coworkers will say if you express your personal truth aloud.
* You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons.
* You’re afraid your best work is behind you.
* You’re afraid you never had any best work to begin with.
* You’re afraid you neglected your creativity for so long that now you can never get it back.
* You’re afraid you’re too old to start.
* You’re afraid you’re too young to start.
* You’re afraid because something went well in your life once, so obviously nothing can ever go well again.
* You’re afraid because nothing has ever gone well in your life, so why bother trying?
* You’re afraid of being a one-hit wonder.
* You’re afraid of being a no-hit wonder.”

How to Change Your Mind – Michael Pollan

An annotated summary of How to Change Your Mind by Michael Pollan Michael Pollan investigates the history of psychedelics, the current state of science, and the remarkable potential for psychedelics to change one?s conciousness.

An in depth review of Michael Pollan’s book ‘How to Change Your Mind’.